In 2026, we’re set to take our award-winning work Triptych on a massive national and international tour—travelling across South Australia, the East Coast of Australia, and onward to France, Italy, Brazil, Germany, Norway, Denmark, and 13 cities across the UK and Scotland. After years of creating, producing, and touring new works with a small, dedicated team, this program represents a major milestone for us as a company. It’s an opportunity to bring bold, contemporary Australian artistry to the international stage once again.
Unfortunately, we did not receive either state or federal funding for any of our 2026 touring programs. This leaves us in a difficult position. While invitations to perform at leading theatres and festivals around the world are an incredible honour, making them possible requires real and immediate support.
In the current global travel climate, costs have risen dramatically. Airfares have surged, insurance requirements have expanded, and the realities of cancellations, rescheduling, and logistical uncertainty have significantly inflated our touring budget. What was once a carefully planned and efficient model now carries a much heavier financial burden.
We are doing everything we can to absorb these pressures and have made multiple petitions to government for support without success.
Your support will help cover essential costs including travel, accommodation, ground transport, insurance, and fair pay for our artists. Every contribution directly empowers our dancers and collaborators to bring this work to audiences across the world.
Triptych has been built for touring: a tight ensemble, minimal freight, and a swift technical setup that allows us to prioritise what matters most—the artists on stage. The momentum behind this work has never been stronger. Following sold-out seasons, international acclaim, and multiple five-star reviews, we have a rare window to elevate our work to a new level of global recognition.
“Triptych is a triumph from beginning to end… If you’re a dance fan and haven’t yet done so, stop what you’re doing and book your tickets.” ★★★★★ — The Scotsman
Critics have described the work as “visually poetic” (The Stage), “sinewy poetry” (The List), and “a captivating fusion of sound, light and movement” (ArtsHub). Across its international seasons, Triptych has received consistent five-star reviews and led to major awards and commissioning opportunities.
This tour is a rare opportunity for a small, independent Australian company to stand on some of the world’s most respected stages. The invitations are confirmed. The work is ready. The stages await.
All we need now is the support that gets us there.
Your donation will directly make this international tour possible.
Thanks to the ACF Boost program, every donation will be matched dollar-for-dollar through Creative Australia, up to $5,000. This means your support goes twice as far in helping us realise this tour.
Every contribution—large or small—has a tangible and immediate impact. Thank you for your generosity. It means more than you know.
In 2026, we’re set to take our award-winning work Triptych on a massive national and international tour—travelling across South Australia, the East Coast of Australia, and onward to France, Italy, Brazil, Germany, Norway, Denmark, and 13 cities across the UK and Scotland. After years of creating, producing, and touring new works with a small, dedicated team, this program represents a major milestone for us as a company. It’s an opportunity to bring bold, contemporary Australian artistry to the international stage once again.
Unfortunately, we did not receive either state or federal funding for any of our 2026 touring programs. This leaves us in a difficult position. While invitations to perform at leading theatres and festivals around the world are an incredible honour, making them possible requires real and immediate support.
In the current global travel climate, costs have risen dramatically. Airfares have surged, insurance requirements have expanded, and the realities of cancellations, rescheduling, and logistical uncertainty have significantly inflated our touring budget. What was once a carefully planned and efficient model now carries a much heavier financial burden.
We are doing everything we can to absorb these pressures and have made multiple petitions to government for support without success.
Your support will help cover essential costs including travel, accommodation, ground transport, insurance, and fair pay for our artists. Every contribution directly empowers our dancers and collaborators to bring this work to audiences across the world.
Triptych has been built for touring: a tight ensemble, minimal freight, and a swift technical setup that allows us to prioritise what matters most—the artists on stage. The momentum behind this work has never been stronger. Following sold-out seasons, international acclaim, and multiple five-star reviews, we have a rare window to elevate our work to a new level of global recognition.
“Triptych is a triumph from beginning to end… If you’re a dance fan and haven’t yet done so, stop what you’re doing and book your tickets.” ★★★★★ — The Scotsman
Critics have described the work as “visually poetic” (The Stage), “sinewy poetry” (The List), and “a captivating fusion of sound, light and movement” (ArtsHub). Across its international seasons, Triptych has received consistent five-star reviews and led to major awards and commissioning opportunities.
This tour is a rare opportunity for a small, independent Australian company to stand on some of the world’s most respected stages. The invitations are confirmed. The work is ready. The stages await.
All we need now is the support that gets us there.
Your donation will directly make this international tour possible.
Thanks to the ACF Boost program, every donation will be matched dollar-for-dollar through Creative Australia, up to $5,000. This means your support goes twice as far in helping us realise this tour.
Every contribution—large or small—has a tangible and immediate impact. Thank you for your generosity. It means more than you know.
